NEW PAPER: “Blessed by the algorithm”: Theistic conceptions of artificial intelligence in online discourse

Blessed by the Algorithm Paper B Singler 2020

“My first long haul flight that didn’t fill up and an empty row for me. I have been blessed by the algorithm”

The phrase ‘blessed by the algorithm’ expresses the feeling of having been fortunate in what appears on your feed on various social media platforms, or in the success or virality of your content as a creator, or in what gig economy jobs you are offered. However, we cblessed 2an also place it within wider public discourse employing theistic conceptions of AI. Building on anthropological fieldwork into the ‘entanglements of AI and Religion’ (Singler 2017a), this article will explore how ‘blessed by the algorithm’ tweets are indicative of the impact of theistic AI narratives: modes of thinking about AI in an implicitly religious way. This thinking also represents continuities that push back against the secularisation thesis and other grand narratives of disenchantment that claim secularity occurs because of technological and intellectual progress. This article will also explore new religious movements, where theistic conceptions of AI entangle technological aspirations with religious ones.

AI & Society, April 2020

NEW PAPER: The AI Creation Meme: A Case Study of the New Visibility of Religion in Artificial Intelligence Discourse

The AI Creation Meme A Case Study of the New Visibility of Religion in Artificial Intelligence Discourse

Through a consideration of examples of the AI Creation Meme, a remix of Michelangelo’s Creazione di Adamo featuring a human hand and a machine hand nearly touching, fingertip to fingertip, this article will tackle the religious continuities and resonances that still emerge in AI discourse in an allegedly ‘secular age’. Examples of AI Creation MemeThe AI Creation Meme, as a highly visible cultural artefact appearing in a variety of forms and locations, will be analyzed and discussed for its religious, apocalyptic, and post-humanist narratives, along with reference to earlier work on the New Visibility of Religion—specifically, Alexander Darius Ornella’s consideration of the New Visibility of Religion and religious imagery of the 2006 film, Children of Men. Work that outlines the aspects of critical post-humanism, speculative post-humanism, and transhumanism in relation to the contemporary post-secular age will also be addressed to expand on the implicit apocalyptic messages of the AI Creation Meme. Such a consideration of repeating and remixed imagery will add to the scholarly conversation around AI narratives and the entanglements of religion and technology in our imaginaries of the future.

Religions 202011(5), 253